Michael Moore Holds Forth; ‘A Doll’s House, Part 2’ Soars With (Mostly) New Cast: Broadway Reviews

“Montreal!” the confident co-ed from Sarah Lawrence responded when Michael Moore asked, “What is the capital of Canada?” This was a bit from the Oscar-winning docu-provocateur’s Broadway debut, The Terms of My Surrender, which opened Thursday at the Belasco Theatre. The point of the audience-participation exercise was to demonstrate that the dumbest Canadian is better educated than the smartest U.S. citizen, and the only surprise – variations of the gambit having been a…
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